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#biennalearte2019 #mayyouliveininterestingtimes @labiennale La Biennale di Venezia Tomás Saraceno’s research is nourished by myriad worlds. His Arachnophilia Society, Aerocene Foundation, community projects, and interactive installations explore sustainable ways of inhabiting the environment by bridging disciplines (art, architecture, natural sciences, astrophysics, philosophy, anthropology, engineering) and sensitivities. In all these projects, Saraceno engages with forms of life that exist all around us and, in an era of ecological upheaval, encourages us to attune our perspectives to other species and systems – whether at the micro or macro level, from spider colonies to gravitational waves – and engage with hybrid and alternative ways of inhabiting our shared planet.

#biennalearte2019 #mayyouliveininterestingtimes @labiennale La Biennale di Venezia Tomás Saraceno’s research is nourished by myriad worlds. His Arachnophilia Society, Aerocene Foundation, community projects, and interactive installations explore sustainable ways of inhabiting the environment by bridging disciplines (art, architecture, natural sciences, astrophysics, philosophy, anthropology, engineering) and sensitivities. In all these projects, Saraceno engages with forms of life that exist all around us and, in an era of ecological upheaval, encourages us to attune our perspectives to other species and systems – whether at the micro or macro level, from spider colonies to gravitational waves – and engage with hybrid and alternative ways of inhabiting our shared planet.

#biennalearte2019 #mayyouliveininterestingtimes @labiennale La Biennale di Venezia Tomás Saraceno’s research is nourished by myriad worlds. His Arachnophilia Society, Aerocene Foundation, community projects, and interactive installations explore sustainable ways of inhabiting the environment by bridging disciplines (art, architecture, natural sciences, astrophysics, philosophy, anthropology, engineering) and sensitivities. In all these projects, Saraceno engages with forms of life that exist all around us and, in an era of ecological upheaval, encourages us to attune our perspectives to other species and systems – whether at the micro or macro level, from spider colonies to gravitational waves – and engage with hybrid and alternative ways of inhabiting our shared planet.

#biennalearte2019 #mayyouliveininterestingtimes Brazilian Pavilion Biennale D'arte di Venezia, Giardini Barbara Wagner & Benjamin de Burca Swinguerra takes its title from swingueira, a popular dance movement in the north-east of Brazil, fused with the word guerra, meaning war. Wagner & de Burca’s work focuses on the powerful expressions of popular culture in contemporary Brazil, and their complex relationship with international and local traditions. Swinguerra provides a deep and empathic view of contemporary Brazilian culture at a time of significant political and social tension. In common with their former films, the artists work alongside their subjects in a horizontal and respectful relationship, sharing an understanding of the complexities of contemporary self-representation and awareness.

About
Editorial Team
Contact
Art Style Magazine’s Scientific Committee
Submission
Issues
- Issue 1
- Issue 2
- Issue 3

Art Style | Art & Culture International Magazine

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